Mason Libraries partners with Fall for the Book festival

The 20th annual Fall for the Book begins this Wednesday, October 11 and runs through Saturday, October 13. What does that mean? 4 Days of readings, discussions, performances, and more by 150 authors!

The Libraries is pleased to once again provide sponsorship for the capstone event for this year’s Mason Reads program (March by Congressman John Lewis) as well as provide space in Fenwick Library for additional Fall for the Book events.

Congressman Lewis will speak at 1:30pm on Thursday, October 11, in the Concert Hall in the Center for the Arts, to discuss his memoir, March: Book One, along with his co-writer Andrew Aydin. March is a #1 New York Times Bestselling series of graphic novels, which have won honors from the Robert F. Kennedy Book Awards and the Coretta Scott King Book Awards, among many others.

In honor of March: Book One and Congressman Lewis’ visit, Mason Libraries’ team members (Joy Suh, Kim Hoffman, Teresa Kan and Westly Wright) created this story map for the community as it celebrates the Fall for the Book festival.

Two of Mason Libraries’ faculty will also be featured at Fall for the Book events. Lynn Eaton, Director, Special Collections Research Center will join a panel discussion on “The Secret History of a Modern Suburb” on Thursday, October 11 at 4:30pm in Fenwick Library Room 2001. Aaron McCollough, Interim Head of Mason Publishing/George Mason University Press will join three other poets for a reading at “Poetry Night Out” on Friday, October 12 at 6pm at Epicure Cafe.

The following Fall for the book events will be held in Fenwick Library Room 2001:

Call & Response: “Borders”
Panel Discussion
Wednesday, October 10, 1:30-2:45pm

Letters from the Boys: Wisconsin World War I Soldiers Write Home
Carrie A. Meyer
Wednesday, October 10, 3-4:15pm

The Secret History of a Modern Suburb
Patricia Farrell Donahue, Lynn Eaton, and Laura Wickstead
Thursday, October 11, 4:30-5:45pm

Writing about the Life and Times of Hunter S. Thompson
Tim Denevi, Margaret A. Harrell, William McKeen, and Juan F. Thompson
Thursday, October 11, 6-7:15pm

Alumni Reading (Poetry & Prose)
Lucy Biederman, John Copenhaver, Joe Hall, Alyse Knorr, and Kate Partridge
Friday, October 12, 4-5:15pm

Writing Through Identity
Sandy Allen, Rachel Z. Arndt, Dave Madden, and Sarah Viren
Friday, October 12, 6-7:15pm

For more information, visit fallforthebook.org.

Call & Response 2018: Borders

Call & Response, an annual exhibition of collaborations between writers and visual artists, in which ones calls and one responds. The result is a dynamic set of paired works of words and artistic media that resonate and speak to contemporary issues. The theme for the twelfth annual Call & Response is Borders.

Call & Response: Borders is on display from Wednesday, October 10 through Sunday, November 25, 2018 in Fenwick Gallery, housed in Fenwick Library on George Mason University’s Fairfax Campus. An opening reception and panel discussion with the artists is scheduled for Wednesday, October 10 from 1:30 – 3 p.m. Reception refreshments provided by Argo Tea Cafe.

For more information, visit at http://fenwickgallery.gmu.edu/exhibits/borders.

New Exhibition Opens: Rethinking Lines

Fenwick Gallery is pleased to host Mel Parada’s Rethinking Lines, an exhibition of typographic prints and paintings. The exhibition opens Monday, August 27 and will close Saturday, October 6, 2018. An artist’s talk is scheduled for Wednesday, September 26 at 11am in the Fenwick Main Reading Room.

About the Exhibition: Today’s communication landscape is saturated with narrative driven design. What we see and experience through our everyday communication channels are often assigned specific meaning, purpose, and intent, leaving very little room for interpretation by the viewer. Rethinking Lines examines the possibilities of meaning making and attempts to remove narrative from communication design through visual treatments that involve the deconstruction of typography, reconfigured grid systems, scale, and color theory. The work embodies theoretical approaches found in the Minimalist movement as well as abstraction movements like De Stijl and Constructivism. The printed works in Rethinking Lines provide a visual representation that shifts the inception of meaning and its making from the design phase to the experience phase while introducing a means of disrupting the reliance of narrative in all forms of visual communication to include fine art.

About the Artist: Mel Parada holds an MFA from George Mason University’s School of Art. He is a Resident Artist (2018-2019) with Discover Graphics Atelier located in the Torpedo Factory in Alexandria, VA, and he also serves as a graphic design adjunct professor with Mason’s School of Art. Parada is an active member of the Chesapeake Chapter, American Printing History Association (APHA), and he was a Denker Fellow (2016). His current work involves traditional printmaking methods, specifically stone lithography and screen printing.

About Fenwick Gallery: Located in Fenwick Library, the Fenwick Gallery is designed to enhance and enrich teaching, learning, and culture at Mason. A partnership with Mason’s School of Art, the space is dedicated to exhibiting high quality works by students, faculty, staff and other emerging and experienced artists that highlight aspects of the Libraries’ collections and support Mason’s curriculum and cultural initiatives. For more information about the Gallery, contact Stephanie Grimm, Art & Art History Librarian, sgrimm@gmu.edu

Artist’s Talk on July 25

Join artist Nikki Brugnoli and curator Jennifer Lillis on Wednesday, July 25, 1:30pm in the Fenwick Main Reading Room for a discussion of Convergence, our current Fenwick Gallery exhibition. For more information, visit http://fenwickgallery.gmu.edu/exhibits/convergence/

Convergence focuses on the intersecting and overlapping lines of artist Brugnoli’s research over the last four years in Virginia and Pennsylvania. Disregarded, post-industrial structures from her past and present as well as widening horizons converge through a series of mixed media drawings, screen prints and photographs. These investigations are engaged meditations on memory and loss, abandonment and reconciliation.